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2002 Articles
The battle for Ground Zero
Rebuilding a cultural icon: Rab Bennetts' new Hampstead Theatre, London
Was Mies a Nazi?
Steve Tompkins and the theatre of happenstance
The house as trailer: inside Tim Pyne's M-house
Edward Cullinan's timber gridshell structure: why it's important
New Mexican architecture
London's National Gallery comes to life
The Aztecs: how to invent a civilization.
That bridge… Stirling Prize 2002
A home with backbone. Nicholas Grimshaw reinvents the country house. In Germany.
Mr Whippy versus Mr. Blobby: what's happening to architecture? Plus: what should win the Stirling Prize, but probably won't.
The beam of light and the beam of death: images of the Venice Architecture Biennale.
Sir Christopher Wren - scientist.
Heart of an empire: MacCormac rebuilds the BBC
The Baltic centre opens at last. Can an "art factory" revive Britain’s post-industrial North-East?
New York’s Museum of Modern Art goes east
Reinventing the school
The lure of the one-off house
101 Uses for a city hall
Brunel lives on: London’s new Hungerford Bridge
Sisters of mystery and portents of doom: high modern architecture in Dublin, and its commercial nemesis.
The FAT house: larky postmodernism gets serious in East London
Shapemaking gone mad: Norman Foster’s London City Hall.
Gio Ponti - Renaissance man or fevered dilettante?
The Great Wheel of Falkirk: Glasgow and Edinburgh linked by water
From Here to Modernity: not only Daniel Libeskind but also Eva Jiricna will transform London’s Victoria and Albert Museum.
The Great Tower of London: Renzo Piano’s date with density, and what Piers Gough thinks about it
Edinburgh feels the pressure
Manchester reinvented: Libeskind, Simpson, Arup, Wilford and Hopkins.
Utopia on Trial
Concrete comeback: return to the Barbican
Cinema history comes to life: the renaissance of Ealing Studios
Wobbly no more: testing Foster’s Millennium Bridge
Thomas Heatherwick and Newcastle’s Blue Carpet.
The Holy Grail of the Microflat
Uber-aquarium: Terry Farrell’s ‘The Deep’, Hull.
Rafael Vinoly’s Kimmel Center in Philadelphia: why can’t London have a concert hall like that?
The concert hall that started it all: Scharoun’s Berlin Philharmonie.
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